Fondation Louis Vuitton
Monet – Mitchell
Fondation Louis Vuitton
Monet – Mitchell
Exhibition at the Louis Vuitton Foundation
Monet – Mitchell
Monet – Mitchell
Exhibition at the Louis Vuitton Foundation
running until 27 February 2023
The dialogue between impressionist painter Claude Monet and abstract expressionist artist Joan Mitchell is opened up by an additional exhibition that you really have to walk through downstairs before you move onto the comparison. The ‘Joan Mitchell Retrospective’ is the perfect way to get to know – and really understand – this exceptional artist who is much lesser known than the likes of Monet.
Keep reading for our take on the dialogue that ensues between these two artists who lived at completely different times to one another.
Top tip: It’s definitely worth buying a skip-the-line ticket online while this exhibition is running. There were lots of people around even on a Monday morning!
FONDATION LOUIS VUITTON
Tickets
NEED
to know
- Make sure you take your headphones with you and charge your phone up before you visit the exhibition. You can download the FLV app (available in English and French) to listen to the excellent audio guide for the exhibition.
- Plus, the chatbot – Twelvy – will guide you around the exhibition and provide additional information during a fun and interactive tour.
- Watch out for the signs with a crossed-out camera on them – they are your reminder that you can’t take photos of some of the pieces by Joan Mitchell.
- Because of the environmental activist group “Letzte Generation”, all food and drink has to be handed over at the entrance to the Louis Vuitton Foundation. There are absolutely no exceptions.
RETROSPECTIVE
Joan Mitchell
The lower floor has been taken over entirely by a Joan Mitchell retrospective. 40 works are on display, spanning the time between the start of her career as an artist in New York in the early 1950s and her later work towards the end of the 1980s.
The idea is to get acquainted with the American artist before moving on to her dialogue with Monet. Having studied painting at the Art Institute of Chicago back in the 1940s, she moved to New York and discovered abstract expressionism.
Her first trip to Paris was in 1948 and she ended up moving to the city in 1959. Between 1968 and her death in 1992, she lived and worked in Vétheuil, a small town to the north-west of Paris that was once home to Monet before he moved to Giverny.
Talking about her own work, Mitchell said she had never been capable of reflecting nature directly. But what she did do was portray feelings and emotions triggered by memories on canvas. She listed water, trees, dogs, poetry and music as sources of inspiration.
So what’s the connection between Mitchell and Monet considering they never met? Why is one’s work so reminiscent of the other’s? And bear in mind that Mitchell started off an interview in 1957 by saying: “Monet isn’t really my cup of tea. I’m not really a fan of his work.” She went on to correct herself a few minutes later, adding: “I like Monet’s later work but not his earlier stuff.”
The EXHIBITION
Monet – Mitchell
Colour:
The colours in Mitchell’s ‘Quatuor II for Betsy Jolas’ (1976) unmistakably resemble the blue, green and purple shades in Monet’s water lilies (1916–1919). And the blue, yellow and green from Monet’s ‘Iris jaunes’ (1914–1917) are reflected but intensified in Mitchell’s ‘Beauvais’ (1986).
Nature:
Landscapes were a major source of inspiration for both Monet and Mitchell. Find Monet’s painting ‘Weeping Willow’ and Mitchell’s representations of linden trees in the exhibition as prime examples.
Reflection:
While there is no doubt that Monet drew inspiration from the water lily pond in his garden, you have to look a bit harder to find this motif in Mitchell’s abstract paintings. The reflections on Lake Michigan in her home town of Chicago definitely shaped her work, though.
Vétheuil:
The two artists lived in the same little town to the north-west of Paris albeit at completely different times (Monet in 1878–1881 and Mitchell in 1967).
Poetry:
Both artists loved poetry. Mitchell’s mother was a poet called Marion Strobel, who was the editor of Poetry Magazine. The artist often compared her paintings to poetry – and that didn’t just come down to the fact that she actually incorporated poems into her artwork at times. In the exhibition, you can see a series of four works that contain excerpts from poems by Jacques Dupin.
Monet owned a huge library of his own with 700 books – and 48 poetry collections – inside. Both artists drew inspiration from the work of Baudelaire and Proust. Monet was actually friends with Zola and Mallarmé.
Final series:
On the path to world fame – driven by illness and loss
Joan Mitchell produced her large cycle within the space of just two years. Edrita Fried, Joan Mitchell’s close friend and psychotherapist, died in 1981. And Mitchell lost her sister just a year later. The artist herself suffered from arthritis and mouth cancer that spread to her lungs.
She spoke about the pain she was in with her friend Gisèle Barreau, who told her about La Grande Vallée, an area near Nantes. And she described the memories she still had of that wild and rugged landscape – of the fields, flora and fauna.
Feeling inspired, Mitchell painted 21 works of art in 1983 and 1984. It was that cycle that gained her international renown. And you can admire 10 of the paintings in the exhibition.
Even people who have absolutely no clue about art are usually able to associate Monet with his water lilies. It’s no wonder given that he painted 250 oil paintings in that series between 1889 and 1926.
He called the most spectacular of them the Grandes Decorations. His work on these huge masterpieces didn’t start until 1915, after he had been affected by the loss of his second wife (1911) and his eldest son (1914). He was also struggling increasingly with the cataract that impaired his vision.
Before his death, Monet was often ripped apart by harsh critics. It wasn’t until the 1950s that the artist and his water lilies were given the recognition they so rightly deserved. Monet went on to influence the abstract expressionism movement over in the USA.
Monet worked on his ‘Agapanthus triptych’ between 1915 and 1926 and considered it to be one of his four best series. It was put on display for the first time in New York in 1956, which is exactly where Joan Mitchell saw it. After that, each of the sections was bought by a different US museum. All three parts were displayed together at three different locations in the USA in 1978 and again in London in 2016. The fact they have now been reunited in the country Monet called home has to be one of the happiest highlights of this exhibition.
OUR CONCLUSION
The water lily triptych alone is worth the visit, it is simply breathtaking! But the idea of the dialogue between the artists is also implemented in a really exciting way, you really shouldn’t miss it.
Add to that the unusual architecture of the building – three good reasons to make your way to the Bois de Boulogne.
Absolutely worth seeing!
Your Anne
Text and image rights: © Céline Mülich, 2022
With the support of Anne Okolowitz
Once again, there was no answer to the question of photo permission.
But we have labeled the pictures to the best of our conscience and tried to find out which collection they belong to.