2 Exhibitions at the Louvre
Winter 2024/2025
2 Exhibitions at the Louvre
Winter 2024/2025
Two exhibitions at the Louvre
‘Figures of the Fool’ & “Seeing Watteau again”
Figures of the Fool. From the Middle Ages to the Romantics
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See Watteau again: A comedian with no backtalk. Pierrot, called the Gilles
Exhibitions at the Louvre Museum
both running until 3 February 2025
We’ve finally been back to the Louvre Museum for you! Because this winter there are two exhibitions to see that interested us! They are not blog busters, but still worth a visit.
The ‘Figures du Fou’ is sure to reach a wide audience, as it’s all about fools’ figures that have been immortalised in paintings and sculptures from the Middle Ages to the Romantics.
‘Revoir Watteau’, on the other hand, might attract more specialised visitors.
Anne was there for us and explains what it’s all about!
So if you’re at the Louvre anyway and still have time, why not stop by one of these two exhibitions?
Louvre
Tickets
The two
exhibitions
Okay, I admit it…since I (Anne) am a huge Lady Gaga fan, the very funny promotional clip for her new film ‘Joker – Folie à Deux’, which also advertises the exhibition, inspired me the most to visit (you can watch it here).
The exhibition ‘Figures of the Fool. From the Middle Ages to the Romantics’ is located in the basement of the “Sully Wing” (entrance to the right of the escalator). The meaning of the word ‘fou’ is multifaceted: it can be translated as ‘fool, joker or lunatic’.
The roles and functions were and are correspondingly diverse throughout the centuries and therefore also the more than 300 exhibits: paintings, drawings, manuscripts, books, sculptures, tapestries, masks, everyday objects…
Exhibition 1
Figures of the Fool. From the Middle Ages to the Romantics
In the Middle Ages, the image was initially characterised by religious connotations, for example richly decorated Bibles or sacred objects and statues. Depictions of people indulging in lust or greed were presented as a warning example.
From the 15th century onwards, the ‘court jester’ came into fashion as a counter-figure to the wise and powerful rulers (who often enough suffered from mental illness themselves). Masks, chess pieces, statues and paintings bear witness to this. Two well-known works, the painting ‘Ship of Fools’ by Sebastian Brant and the book ‘In Praise of Folly’ by Erasmus, ensured that the figure of the jester achieved fame everywhere.
I have to be honest: up until then, the exhibition didn’t knock my socks off… but then it got interesting!
In the last three rooms you can see various works by Hieronymus Bosch and the two Pieter Bruegels (the Elder and the Younger), as well as Tiepolo, de Goya and Géricault. I found the ‘Dutch Proverbs’ by Bruegel the Younger, Goya’s ‘Court with Madmen’ and some of his etchings particularly worthwhile.
And there was also a Messerschmidt bust – which Céline really likes – in the exhibition!
Exhibition 2
See Watteau again: A comedian with no backtalk. Pierrot, called the Gilles
Then we climbed the stairs to the ‘Pierrot’ by Antoine Watteau. The painting was restored for two years and can now be seen again in all its splendour.
It probably dates from around 1719, when the Comédie-Française (the French national theatre) banned performances by private companies at fairs. Two of the main characters were Harlequin and Pierrot.
From 1720, the figure of Pierrot was then further developed by the French theatre into ‘Gilles’, which is why the painting was known by this name for a long time.
Watteau died in 1721 and his masterpiece was first documented in 1826 (at that time it belonged to the director of the Louvre, Dominique-Vivant Denon).
The exhibition shows seven other works by Watteau, many of which contain elements of the main painting. There are also 57 paintings, drawings, etchings, books and photographs by other artists that are related to the ‘Pierrot’.
Actors, painters, authors and filmmakers were inspired by the work and brought their own interpretation of the character to the stage, canvas or paper.
Conclusion
An unusual perspective on art history from the Middle Ages to Romanticism and a freshly restored masterpiece… for me, a good reason to visit the Louvre again.
Both exhibitions can be seen until 3 February 2025.
Yours
Anne
Text and image rights: © Céline Mülich, 2024
With the support of Anne Okolowitz.